Historical background
The landscape is visually and ecologically distinguished from the surrounding dry savannah. A profusion of distinctive granite landforms, densely packed into a comparatively tight area, rise up to form a sea of hills. Their forms have resulted from the varied composition and alignment of the granites, which responded differently to millions of years of weathering, leaving inselbergs (large individual vertical rocks), kopjes, crenellated ridges, dwalas or hump-backed domes, and what look like randomly heaped boulders.
The discrete and often small sheltered spaces, formed between these dense collections of rocks, have fostered a wide variety of microclimates, allowing the development of an extremely diverse range of habitats. The resulting species rich vegetation has in turn provided much sustenance for a wide range of fauna. The valley between the rocks contains numerous streams and springs supporting a wide range of flora. Out of 189 mammal species indigenous to Zimbabwe, 88 have been recorded in the Matobo Hills, plus a further 70 pairs of bird species.
These natural attributes have also been the dynamic focus for people living in the area since the early Stone Age. In fact within natural caves and on boulders and cliff faces are to be found a dramatic corpus of rock art.
The earlier paintings, dated back at least 13,000 years, are essentially naturalistic interpretations of people, animals and trees. They are associated with hunting and gathering and are mostly executed using a red ochre pigment, mixed with an as yet unknown binder. The later paintings associated with farming communities used white pigment from kaolin or quartz.
This distinction is common within the region, but stylistically Matobo is part of a rock-art 'region' stretching from South Africa to Tanzania. It is also impressionistic in that many of the paintings distorted body proportions to convey a sense of movement, or size to convey importance. In many sites there are layers of paintings superimposed one on top of the other. Images in the later paintings also appear to display a complex cosmology linked to religious beliefs.
An abundance of archaeological evidence has been amassed from the shelters for the Stone Age and Iron Age, which when combined has contributed a great deal to the understanding of the pre-colonial history of the region. However, the Matobo Hills also contain very important historical sites and sites from the colonial and post-colonial periods.
Matobo is the home of the wide-ranging oracular cult of the High God, Mwari, whose voice is believed to be heard from the rocks. This powerful oracle links the indigenous communities to the hills where the ancestral spirits live in sacred forest, mountains, caves, hollow trees and pools. Within the Matobo Hills, certain places have become known as shrines.
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